At The Cutting Floor, we want you to appreciate global entertainment as much as we do.
Wilfred Okiche parses Nigerian Cinema, Theatre, Music and Television; helping you understand the complex dynamics that fuel the creative decisions
behind your favorite films, music and plays.
It is almost impossible to navigate the great wide streets of the Internet these days, without coming across the hashtags #MenAreScum or #MenAreTrash. These descriptors have been adopted to label…
The 30th edition of the Carthage Film Festival, also known as the Journées Cinématographiques de Carthage was held in Tunis from 26, October to 2, November. This year’s event, billed…
The film world is still churning with the news about the disqualification of Genevieve Nnaji's Lionheart from 2020 Oscar race. Lionheart, which entered for the Best International Feature Film category,…
For four straight years now, Ebony Life Films has been champion of the end of year box office. From Fifty to Chief Daddy and The Wedding Party films, no one…
This year, box office returns for Nigerian films have been far from remarkable. But come 8, November 2019, Play Entertainment Network and Natives Filmworks, producers of the multi-million Naira sequel,…
Because it's the month of horror, I watched Kunle Afolayan's The Figurine and it was pretty decent. Then I paid homage to old-era Nollyhood horror and revisited Teco Benson's End…
When the Nigerian entry Daughters of Chibok was announced winner of the Best Virtual Reality Story (for linear content) at the awards ceremony of the Venice International Film Festival, the…
The WivesMokalik Official Trailer - a KUNLE AFOLAYAN film Fresh off her stage directing debut with the dramedy, Lavender which premiered at the Lagos Theatre Festival in April, thespian…
It is a long way from Lagos to London, but when the 63rd London Film Festival unveiled its programme for this year’s event, three Nigerian feature length films made the cut. One of them, Walking…